Noir Man Draws A Revolver

There is no writing of any kind anywhere in this shot: no headline, no caption, no sign, no lettering and no logo appears at any point. In that frame, a film-noir scene. A man in his forties in a dark overcoat stands at a rain-soaked window at night, blurred city lights behind the glass, rain streaks throwing moving shadows across him. The man has a broad square face, full cheeks, a wide nose, warm dark brown eyes, thick dark eyebrows, a short dark beard and closely cropped greying hair; he is heavy-set with a thick neck. He is an ordinary anonymous person and looks like nobody famous. Do not depict any real person, actor, celebrity or public figure, and do not reproduce anyone's likeness. One hard warm lamp lights him from the side, the other half of his face in deep shadow, venetian-blind stripes of light falling across the wall behind him. His expression is calm, hard and determined: the jaw set, the eyes steady and focused, no sadness, no tears, no trembling. He decides something, turns his head, and reaches inside his overcoat; he draws out a revolver and lets it hang low at his side, the metal catching one cold highlight. He does not raise it, does not aim it at anybody, does not point it at the camera and never fires it — there is no shooting, no threat, no violence and no blood anywhere in the shot. He looks off past the lens with a steady stare, squares his shoulders, and holds still. The camera starts wide and pushes in very slowly, coming to rest on a tight shot of his resolute face as the last movement settles — the shot finishes on screen and nothing is cut off halfway through. Anamorphic lens, shallow depth of field, soft lens flares, heavy film grain, teal and amber grade, rich inky blacks, classic noir contrast. Plain unbranded clothing, no logos or lettering anywhere in the background. Do not depict any real brand or trademark. No dialogue, no subtitles. Remember: not a single readable character appears anywhere in the frame.