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Cinematic Prompts

Cinematic video prompts built like film — staged light, an anamorphic feel and a camera that always has a reason to move.

WAN 3.080
Dracula Eats Marshmallow
Read the full prompt — Dracula Eats Marshmallow@Video1 controls motion, camera, composition, timing, and sound; keep all of it exactly: the dancer comes toward the handheld camera, takes out a plain white marshmallow, bites it and chews with a deadpan face staring straight into the lens, then turns away and dances off into the crowd. @Image1 controls the identity of the dancer: replace him in every frame with the person from @Image1, including face, hair, build, outfit. No trace of the original. @Image2 controls the people who follow and dance behind him: replace the guests behind him with the people from @Image2. @Image3 controls one onlooker in the crowd who squints suspiciously at the dancer; only one of him. If @Image2 or @Image3 is not provided, fill the crowd with people dressed to fit the location. If @Image4 is provided, it controls the location: replace the room, furniture, lights and floor to fit that place, and dress everyone in the background to match it. If @Image4 is not provided, keep the original environment. From @Video1 take only the motion and the camera; take none of its people, clothes, furniture, lights or floor. The marshmallow stays plain white and clearly visible. One continuous shot, no cuts, no subtitles, no text.
Seedance 2.0140
Read the full prompt — Cobalt Coat Campaign In 3 LooksA bold white sans-serif headline stays burned across the top of the frame for the whole shot. The headline is spelled letter by letter as C-A-M-P-A-I-G-N and reads exactly: Generate fashion campaign videos. Below it, a high-fashion campaign film, three bold looks cut back to back. One: a female model in an oversized electric cobalt-blue tailored coat with huge sculptural shoulders, worn over a liquid silver slip dress and tall glossy boots, strides straight toward the camera down a sunlit city street while the coat flares open behind her in the wind; the camera tracks backwards ahead of her, low and wide. Hard cut: the same model in a sculptural acid-yellow leather trench with an exaggerated collar, standing in a dark studio lit by hard coloured gels — a magenta rim light on one side, a cyan wash on the other — she turns her shoulder sharply and the fabric snaps. Hard cut: she sweeps through a long glass corridor in a floor-length emerald green sequinned gown with a fringed hem that shivers with every step, the sequins throwing points of light across the walls. Strong graphic styling: sharp eyeliner, slicked hair, statement silhouettes, wind machine on every shot. Saturated editorial colour grade, deep contrast, film grain, glossy magazine cinematography, confident runway attitude. She is an ordinary anonymous person and looks like nobody famous. Do not depict any real person, actor, celebrity or public figure, and do not reproduce anyone's likeness. All clothing is plain and unbranded, no logos, no monograms, no shop signs and no lettering in the background. Do not depict any real brand or trademark. No dialogue, no subtitles. The headline at the top is the only text in the entire frame.
Seedance 2.0160
Read the full prompt — Noir Man Draws A RevolverThere is no writing of any kind anywhere in this shot: no headline, no caption, no sign, no lettering and no logo appears at any point. In that frame, a film-noir scene. A man in his forties in a dark overcoat stands at a rain-soaked window at night, blurred city lights behind the glass, rain streaks throwing moving shadows across him. The man has a broad square face, full cheeks, a wide nose, warm dark brown eyes, thick dark eyebrows, a short dark beard and closely cropped greying hair; he is heavy-set with a thick neck. He is an ordinary anonymous person and looks like nobody famous. Do not depict any real person, actor, celebrity or public figure, and do not reproduce anyone's likeness. One hard warm lamp lights him from the side, the other half of his face in deep shadow, venetian-blind stripes of light falling across the wall behind him. His expression is calm, hard and determined: the jaw set, the eyes steady and focused, no sadness, no tears, no trembling. He decides something, turns his head, and reaches inside his overcoat; he draws out a revolver and lets it hang low at his side, the metal catching one cold highlight. He does not raise it, does not aim it at anybody, does not point it at the camera and never fires it — there is no shooting, no threat, no violence and no blood anywhere in the shot. He looks off past the lens with a steady stare, squares his shoulders, and holds still. The camera starts wide and pushes in very slowly, coming to rest on a tight shot of his resolute face as the last movement settles — the shot finishes on screen and nothing is cut off halfway through. Anamorphic lens, shallow depth of field, soft lens flares, heavy film grain, teal and amber grade, rich inky blacks, classic noir contrast. Plain unbranded clothing, no logos or lettering anywhere in the background. Do not depict any real brand or trademark. No dialogue, no subtitles. Remember: not a single readable character appears anywhere in the frame.
WAN 3.080
Read the full prompt — Gladiator Streetball Dunk@Video1 controls motion, camera, composition, cuts, slow motion, timing, and sound; keep all of it exactly. @Image1 controls the identity of the scoring player (drives, dunks twice, celebrates to camera): replace the player in every shot with the person from @Image1, including face, hair, build, outfit. @Image2 controls the identity of the defender who gets dunked on: replace the defender in every shot, including the final one; if @Image2 is not provided, keep the original defender. No trace of the originals. If @Image3 is provided, it controls the location: replace the environment with that place. Rebuild court, hoops, background, crowd, lighting, and grading to fit it. If @Image3 is not provided, keep the original environment. In the final shot, the only player in frame is the already replaced defender (from @Image2, not the original), standing in the center with a hand covering the face. Remove the man behind; keep the crowd. Keep choreography, dunks, celebration.
Seedance 2.0180
Read the full prompt — Six Camera Moves Back To BackShowreel of camera moves, six fast shots cut back to back. One: a whip pan blurs across a busy street market and lands on a stack of fruit crates. Two: a crash zoom snaps in on a bicycle wheel spinning fast in a puddle, water spraying off the rim. The wheel and frame are plain and unmarked. Three: a dolly zoom on a young skateboarder standing still in an empty parking lot while the background stretches behind him. He has a round face, tan skin, short curly black hair and a plain grey t-shirt; he is an ordinary anonymous person and looks like nobody famous. Do not depict any real person, actor, celebrity or public figure, and do not reproduce anyone's likeness. Four: a smooth orbit around a motorcycle parked under a neon sign. Five: a shaky handheld shot running up a concrete stairwell. Six: an FPV drone shot diving between rooftops and swooping down a narrow alley. Golden hour and neon night, film grain, punchy contrast, energetic editing, motion blur on every transition. Every object and garment in every shot is completely plain and unmarked: no logos, no emblems, no swooshes, no monograms, no brand marks on shoes, clothes, vehicles or signs, and no readable lettering anywhere. Do not depict any real brand or trademark. No dialogue, no subtitles. There is no text anywhere in the frame.
Seedance 2.0150
Read the full prompt — Black Bottle In Gold Rim LightA bold white sans-serif headline stays burned across the top of the frame for the whole shot and reads exactly: Make product ads from one photo. Below it, a cinematic luxury product ad, slow motion throughout. A matte black frosted glass cosmetic bottle with a brushed gold cap stands on a wet dark stone slab against a deep charcoal background. The bottle is completely blank: no brand name, no label, no logo and no lettering anywhere on it. Do not depict any real brand, trademark or logo in the frame. Fresh water droplets bead on the glass. A soft key light from the left and a crisp golden rim light along the right edge. The camera drifts in a slow orbit, then pushes in for extreme macro on droplets rolling down the glass; thin smoke curls through the golden beam. A single droplet falls in slow motion and ripples on the wet stone. The camera pulls back to a clean centered final packshot of the bottle, whole and complete with clear space around it, and holds still on it for the last full second — the movement finishes on screen and nothing is cut off halfway through. No people, no dialogue, no subtitles. Premium commercial cinematography, rich blacks, glossy highlights, shallow depth of field. The headline at the top is the only text in the entire frame.
LTX 2.350
Read the full prompt — Canyon Rim Push-InA wide sandstone canyon seen from just above its rim, the whole scene in focus: layered sandstone-red walls with smooth rounded ledges drop to a pale cream stone floor, under a cloudless sky-blue sky. High midday sun straight overhead lights the red walls evenly and casts short, crisp shadows under each ledge. Nothing in the scene moves: no animals, no people, no wind, no dust. The camera slowly pushes forward and glides over the canyon edge in one smooth, steady motion, so the far walls open wider as it advances and the depth of the canyon is revealed. Shot from a high angle, slightly tilted down toward the canyon floor, wide lens. Large simple forms, clean rock surfaces, a calm and vast feel. No text, no logos, no watermark.
Seedance 2.0260
Read the full prompt — Loft To Street In One TakeContinuous one-take shot with no cuts at all, a single unbroken camera move. The camera starts on a marble kitchen counter in a warm loft apartment, glides past a steaming cup and a bowl of lemons, turns and floats through a doorway into a living room where two friends sit laughing on a sofa in evening light. They are ordinary anonymous people and look like nobody famous; do not depict any real person, actor, celebrity or public figure and do not reproduce anyone's likeness. The camera keeps moving, sweeps past a bookshelf, out through open balcony doors and over the railing, then descends smoothly down the side of the building into a lively street below where people walk past glowing cafe windows at dusk. One fluid gimbal move throughout, never stopping, no cuts, no transitions, no edits. Warm practical lights, soft golden hour turning to blue hour, shallow depth of field, cinematic. Everything is plain and unbranded: no logos, no emblems, no readable signs or lettering anywhere. Do not depict any real brand or trademark. No dialogue, no subtitles. There is no text anywhere in the frame.
Seedance 2.0240
Read the full prompt — Blue Dial Watch Through SmokeLuxury product reveal. A bold white sans-serif headline stays burned across the top of the frame for the whole shot and reads exactly: Make premium product reveals. Below it, a generic unbranded wristwatch with a polished steel case, a deep blue sunburst dial and a steel bracelet rests on a dark stone pedestal in a black studio. The face of the dial is a completely bare, smooth, empty surface of deep blue: apart from the plain polished baton hour markers and the two hands there is absolutely nothing printed on it — no brand name, no maker's name, no logo, no emblem, no crown, no word, no letter, no digit, no numeral, no date window, no small print at the top of the dial, no small print at the bottom of the dial, and no writing of any kind, not even faint or blurred lettering. The same is true in every macro close-up: when the camera comes close to the dial the surface is still bare blue with no text on it at all. Nothing is engraved or printed on the case, the crown, the bracelet or the clasp either. Do not depict any real brand, trademark or logo anywhere in the frame. Thick smoke rolls low across the floor and drifts. A single hard beam of warm light cuts through the haze and finds the watch, lifting it out of the darkness. The camera orbits slowly around the pedestal; a crisp rim light slides along the case and the bracelet, sharp macro glints flare on the crystal and the crown. The smoke parts, the light widens, and the watch settles into a clean centered hero shot, whole and complete with clear space around it, and the camera holds still on it for the last full second. Cinematic slow motion, rich blacks, glossy reflections, premium commercial cinematography, shallow depth of field. No people, no dialogue, no subtitles. The headline at the top is the only text in the entire frame.

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