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AI Image Prompts by Styles

Prompts grouped by look — cinematic, surreal, sci-fi and retro film treatments.

Z-Image20
Jelly Ringed Planet
Read the full prompt — Jelly Ringed PlanetA giant ringed planet of glossy translucent lavender jelly floats low above a smooth, matte mint-green plain that curves gently to the horizon. A wide flat ring of the same lavender jelly circles the planet at a tilt. Three small bubblegum-pink glossy spheres hover to the right as moons, and one rounded mint hill sits in the foreground. The sky behind is a pale cream-white, clean and empty. Light comes from one large softbox high on the left, giving the planet a single soft white highlight and gentle rounded shadows on the plain. Wide shot from a low angle, close to the ground, the whole scene in sharp focus. Smooth toy-like surfaces, simple big shapes, calm and playful mood. Nothing else in the scene, no people, no text, no logos, no watermark.
Nano Banana 260
Read the full prompt — Green Rain Frozen MidairPhotoreal cinematic still. Night rooftop, rain-soaked concrete. One person suspended horizontally mid-air at frame center, spine arched back, arms flung wide, long black coat and hair frozen mid-flare, weightless, not falling. Around them thousands of raindrops hang static as hard glass beads, a wide ring of frozen matter circling the body. Plain parapet and bare ventilation ducts behind, no signage, no lettering, no logos. Grade: heavy green cast throughout, crushed near-black green #0B1410 sky and shadows, mossy midtones #2E4034 on concrete, pale green-white #C8D6C0 rim light tracing the figure and every droplet, everything else desaturated to grey. One high hard source behind the subject, cold, no amber, no blue. Waist level, 24mm, f/8, all sharp. Top third and bottom-left empty and quiet. 35mm grain, deep shadow contrast.
Nano Banana 2130
Read the full prompt — Flower Crown At A Long TableMidsommar-style daylight folk feast, no darkness anywhere. Foreground right of center: a young woman in a white linen dress and a fresh flower crown, medium shot, facing camera front-on, hands still on the table, mouth slightly open, gaze unfocused and drifting past the lens — the look of someone who has just understood something. Behind her a long white banquet table recedes symmetrically into deep meadow perspective, laden with bread, berries and jugs; blurred guests in linen seated along both sides, out of focus. Palette: linen #F7F4EC dominant, meadow green #9CB369, floral pink #E8B4C0 accents. Lighting: flat white midday sun directly overhead, everything evenly lit, no shadows at all, no dark edges. Camera: medium, f/4, eye level, table vanishing point behind her.
GPT Image 230
Read the full prompt — Chrome Blob On An LED WallSquare studio still. Center: a levitating chrome liquid-metal blob, molten and rounded, surface mirror-polished with iridescent oil-slick sheen — magenta #FF2D8F, cyan #00E5FF and yellow #FFE500 smeared across it in dimensional layered gradients, more saturated than anything physically present. Behind it, a large LED video panel fills the background with a soft abstract color field only — pure blocks and gradients of magenta and cyan, absolutely no letters, no words, no logos, no characters, no readable pixels. Panel glow is the sole light source, wrapping the blob's underside; dark #14161C floor and edges stay glossy and vivid, exuberant Y2K chrome, never gloomy. Faint LED pixel grid visible on the panel surface. Camera: medium hero shot, dead-center, f/8, whole blob sharp. Palette: #FF2D8F #00E5FF #FFE500 on #14161C.
GPT Image 250
Read the full prompt — Colossi In Orange DustUltra-wide desert view of a ruined resort city drowned in thick luminous orange dust haze #E08A2E filling the frame edge to edge, bright and readable. Rising from the haze on both sides: colossal broken statues — headless torsos, a seated giant, a huge hand — flat ochre #C9924A silhouettes receding in three overlapping planes into pale warm dust #F2C98A at the horizon. Dead center, tiny but full height, a lone man in a plain long coat stands still facing camera on cracked orange sand — the only sharp element, face and fabric crisp, everything behind him softened by suspended dust. Even diffused orange glow, no visible source, almost no shadows, no dark corners, no darkening at edges, no vignette. Camera eye-level, very wide lens, f/11, horizon centered, strict symmetry. Monochrome orange field.
Z-Image40
Read the full prompt — Three Camcorders On Hot PinkStrict overhead flat-lay, three unbranded consumer camcorders in a row on a saturated hot-pink #FF7AB8 seamless paper, bodies in matte silver-grey #D9DCE0 with charcoal #16131C grips, flip-out LCD screens all rotated flat to face straight up. Each screen shows the SAME abstract color-field image — a blurred wash of warm and cool blocks, no text, no letters, no icons, no menus, no logos anywhere. Left screen: image is a coarse grid of flat chunky squares. Center screen: ordinary soft resolution. Right screen: hyper-crisp with fine gradients and tiny detail. Screens glow slightly brighter than the pink ground. Palette: hot pink #FF7AB8 ground, silver-grey #D9DCE0 plastic, charcoal #16131C accents. Lighting: even high-key studio wash from above, no cast shadows, no gradients on the paper. Camera: dead-on top-down, f/8, everything sharp. Bright retro-tech object-hero.
Nano Banana Pro40
Read the full prompt — Pink Moon Living RoomRetro-futuristic minimalist living room interior at night. The composition is symmetrical and centered on a large picture window. Outside the window: deep blue twilight sky with a large pink moon hanging above a dark mountain silhouette; a few tiny warm city lights dot the valley below. Inside the room: clean mid-century modern setup. On the left, a small side cabinet with a pink/orange dome lamp glowing softly. On the right, a coral/pink sofa with rounded edges. Framing the window are teal/green curtains. Below the window, two framed photographs/prints lean against the wall on the floor. In the foreground, a glossy red coffee table holds a turntable with a vinyl record (blue/cyan sheen on the disc) and tonearm visible. The scene feels calm, curated, design-magazine-like, with strong color blocking and smooth surfaces. Lighting: interior lit with soft warm lamp glow mixed with cool ambient light from the window; gentle reflections on glossy table and turntable. Composition & optics: vertical frame, wide/medium-wide, straight-on perspective, deep focus, crisp lines, clean geometry. Color grading Overall palette: synthwave / vaporwave teal + magenta color scheme. Shadows: deep navy/indigo shadows (night interior), cool overall ambience. Highlights: warm pink/coral highlights from practical lamp + accent surfaces; avoid clipping on glossy reflections. Saturation: medium-high but controlled; keep colors clean and “flat” like design photography (no muddy neutrals). Contrast: medium contrast with smooth roll-off; preserve detail in dark blues outside the window. Moon: soft pastel pink with slight glow/halation, not overly bright. Finishing: subtle film grain optional, very light vignette; slightly reduced clarity for a dreamy neon-night feel, but keep edges sharp enough for the graphic look. Palette keywords: synthwave interior, teal curtains, coral sofa, pink moon, deep blue night, glossy red table, soft neon glow, retro-futuristic.
Nano Banana Pro120
Result 1 of 2
Cloud Balcony Mint Shutters
Read the full prompt — Cloud Balcony Mint ShuttersSurreal cinematic scene in a clear blue sky. A floating window/balcony module (like a small section of a house façade) hangs in mid-air, surrounded by dense fluffy white clouds. The structure has mint/seafoam green shutters opened outward on both sides, a small balcony rail/panel below, and pale wood/painted trim. The clouds wrap around the edges of the window frame like foam, creating the illusion that the window is embedded inside a cloud. A woman in a white dress or white shirt dress leans out of the open window, upper body visible. She reaches one arm outward as if feeling the air or touching the clouds, looking to the side with a thoughtful expression. The scene is bright, whimsical, and airy—no ground, no city, only sky and clouds. Lighting: strong daylight, clean sunlit highlights on clouds and shutters; soft shadows under the window ledge; crisp, high-key look. Composition & optics: vertical frame, subject centered upper-middle; lots of negative space sky; clouds at top and bottom framing the floating window; sharp details on shutters and cloud texture, background sky smooth. Color grading Overall palette: bright cyan/azure sky + clean white clouds, with a soft mint/seafoam accent on shutters. Contrast: medium contrast; keep the scene high-key but preserve cloud texture (avoid clipping whites). Saturation: moderately high—sky насыщенный, но не “неон”; mint shutters чуть пастельные. Highlights: luminous cloud highlights with gentle roll-off; optional subtle bloom for dreamy feel. Shadows: slightly cool shadows (blue tint) to keep a fresh airy look. Skin tones: natural, slightly warm-neutral to stand out against the cool sky. Finishing: minimal grain, minimal vignette; slightly softened clarity for a dreamy, whimsical mood. Palette keywords: bright azure sky, creamy white clouds, pastel mint shutters, clean daylight, airy surrealism, soft bloom.
Z-Image20
Read the full prompt — Empty Hotel Corridor LampAn empty hotel corridor seen straight on, perspective running far down the middle of the frame, no people and no creature. Forest-green walls and a long runner carpet in a darker forest green, plain closed doors on both sides without numbers. Halfway down on the right one door stands open, and a warm ochre lamp inside spills a bright cream-and-ochre rectangle of light across the carpet and the opposite wall. The light source is that single table lamp inside the room; everything else in the corridor falls into deep green shade. Wide shot from standing eye height, the whole corridor in focus, symmetrical vanishing point, large simple shapes, smooth matte walls. Quiet, uneasy stillness. No text, no logos, no watermark.
Nano Banana 280
Read the full prompt — Boy On A Hotel CarpetHotel corridor interior, low camera at a seated child's eye level. A ten-year-old boy sits cross-legged on the carpet close to camera, slightly left of center, facing camera straight on, perfectly still, calm neutral expression, face evenly lit and fully readable; a few small toy cars beside him. Carpet fills the lower half: large bold hexagonal geometric pattern in rust orange #C1622E and maroon #8E2B2B. Symmetrical dark wooden doors line both walls, ochre wallpaper #D9B87A, wall sconces glowing evenly, corridor receding in several clearly separated planes, lit to full depth. Palette: rust #C1622E, maroon #8E2B2B, ochre #D9B87A. Even warm sconce light, no darkness at the far end, no dark edges, no vignette. Camera static, f/8, everything sharp, no motion blur.
GPT Image 230
Read the full prompt — Macro Across A CRT ScreenExtreme macro across the curved glass face of a vintage CRT tube, shot as an object in a bright studio against a saturated cobalt seamless #1F4FFF. The frame is filled edge to edge with phosphor triads, the fine aperture-grille mesh and horizontal scanlines, glass curvature catching a clean specular streak from a large softbox above. On the screen: a purely abstract color field in acid green #7CFF3D and cobalt, with deep charcoal #0E1116 in the shadow valleys between phosphor dots. The field is caught mid-resolve — coarse chunky compression blocks on one side subdividing into fine crisp gradients and precise edges on the other, phosphor bloom brighter where it is still coarse. Each phosphor dot sits fixed on its grid. 2026 retro-futurist product photography, high-key, neon as accent.
Nano Banana 280
Read the full prompt — Endless Rooms Behind One ManPhotoreal film still, dolly zoom frozen at its most extreme moment. One person seen from behind in three-quarter back view, standing dead still, centered in the middle band of the frame, normal unstretched scale, sharp, plain grey knit sweater and dark trousers. Behind them the interior stretches into an impossibly long tunnel of identical windowless rooms — damp mustard wallpaper #C9A227, olive patterned carpet #606C38 curling at the seams, perspective lines pulled taut and racing to a vanishing point just above their shoulder. Wide 18mm lens, eye level, f/8, sharp edge to edge. Light: flat shadowless buzz from recessed fluorescent ceiling panels #FEFAE0, no daylight, no sun, no windows, no shadows. Top third and bottom-left kept quiet: bare wall and empty carpet. Bright sickly interior, not dark.
Nano Banana 260
Read the full prompt — Dubbing Console PortraitDubbing studio, three-quarter medium shot. Woman seated at a mixing console, upper body and hands resting on the fader row, head turned three-quarters, face placed right of center, eyes closed, lips softly closed, deep concentration. The console recedes into depth — rows of unlabeled faders and knobs, no screens, no text, no meters. Behind her, a wall of wedge-shaped acoustic foam in plum #4A2545, sharply lit on one side and falling into hard shadow on the other. Lighting: hard desk lamp from the left carving sand #DCC9A6 highlights across her cheek, jaw and knuckles, cold cyan-ice #7FB8C4 spill from the right edge; strong contrast, hard-edged shadows, no fill. Camera: 50mm, f/4, eye level, wide field in focus.
Nano Banana Pro40
Read the full prompt — Cloud Cafe Table PairSurreal cinematic scene set high above the clouds. A vast ocean of giant fluffy cumulus clouds fills the entire frame, with towering cloud formations rising like mountains in the background. In the middle-lower area, a small café setup sits impossibly on the cloud surface: a round table and two ornate red metal chairs (vintage outdoor café style). The chairs face the table from opposite sides, slightly angled. On the tabletop there is a glass vase with flowers (soft pink/orange blooms), plus small table items (cups/plates or minimal décor). No people are present. The atmosphere is dreamy and calm, like a whimsical editorial or fantasy film still. The sky above is pale and hazy with soft layered clouds; light feels like late morning/afternoon with gentle sun rays. The composition emphasizes scale: tiny red furniture against massive cloud landscape. Lighting: soft, diffused sunlight, gentle volumetric haze, cloud edges softly glowing; minimal harsh shadows. Composition & optics: wide shot, lots of negative space made of clouds; the red furniture is the focal point; moderate depth of field—foreground clouds detailed, distant cloud mountains slightly softer. Color grading Overall palette: cool cyan/teal sky tones and creamy off-white clouds (slightly warm highlights). Contrast: medium contrast; keep a soft dreamy roll-off in highlights (no hard HDR). Saturation: restrained overall; red chairs/table are the primary saturated accent for strong color separation. Highlights: soft luminous cloud highlights with mild bloom/halation; preserve texture in bright cloud tops (avoid clipping). Shadows: cool, slightly blue/teal shadows inside cloud volumes to emphasize depth. Atmosphere: subtle haze/fog for depth and scale; distant clouds slightly desaturated and lighter (aerial perspective). Filmic finish: light grain (optional), gentle vignette (optional), slightly reduced clarity in the far background to keep it ethereal. Palette keywords: teal sky, creamy white clouds, soft bloom, airy haze, red accent furniture, dreamy cinematic surrealism.
Nano Banana 260
Read the full prompt — Diner Booth Two-Shot1970s New York diner, warm interior, bright and readable. Two men in a booth, medium two-shot: the near man seen from behind over his shoulder, the far man facing us frontally, completely still, hands flat on the table, calm neutral expression. Deep red vinyl banquette #B22B34 wraps the booth, dark walnut #6B4423 table edge and panelling, tungsten ceiling lamps casting soft warm #E8B65A on faces and chrome napkin holder. Behind them the room recedes in sharp focus — more booths, a counter with stools, one waitress mid-step far back. Large plate-glass window on the right shows a pale daytime street with parked cars and sidewalk, cool daylight spilling in. Camera: eye level, f/5.6, 40mm, everything crisp front to back. Warm and saturated.
Nano Banana 260
Read the full prompt — Beach Chair Noon PortraitHot 1975 New England beach afternoon. A man in his 40s sits perfectly still in a low wooden beach chair, facing the camera dead-on, both forearms flat on the armrests, shoulders square, chin level, eyes open and looking straight into the lens. Plain unbranded pale shirt, no text anywhere in frame. Low camera height, chair centered, man occupies lower middle third. Behind him true receding depth: wet sand strip, then calm shallow water with small groups of bathers at three clearly separated distances — near, mid, far — then a flat open sea horizon line high in the frame. Palette: warm sand #E3D3A8 dominant, atlantic teal #2C6E7F water, signal red #D6453D chair fabric accent. Light: hard overhead August noon sun, even on the face, no color cast. Sharp focus front to back, f/11, no motion, no blur, nobody running, no flags, no signage, no logos, no vignette, no dark edges, no overlay. Bright and calm.
Nano Banana 240
Read the full prompt — Four Screens One ImageLong side-on row of four unbranded objects on a wide bench, shot straight across at object height. Left to right: a blank grey cassette tape (no label), a small handheld camcorder with its flip-out LCD open, a chunky beige desktop monitor, and a framed matte print leaning upright. The same abstract image — an orange-and-grey striped shape — appears on the LCD, on the monitor and in the print, blocky and coarse on the LCD, cleaner on the monitor, fully crisp in the print. One continuous lilac cable runs through all four objects in a single unbroken line, the visual spine of the row. Background: flat lavender #B79CFF seamless. Palette: cool grey hardware #C7CDD6, lavender #B79CFF ground, orange #FFA51F image accent. Lighting: even high-key studio, soft and shadowless. Camera: level side-on, f/8, everything sharp edge to edge.
Z-Image40
Read the full prompt — Bellhop Framed By A Pink ArchWes Anderson storybook world, applied outdoors — clear winter daylight, flat even illumination, no shadows on the face. Subject: a young hotel bellhop in a plum-burgundy #6E2B3A wool uniform jacket with brass #D9A441 buttons and a small pillbox cap, standing perfectly still in the right third, close to camera, facing the lens straight on, arms at his sides, calm neutral expression, face fully lit and sharp. Behind him three clearly separated planes of different character: an open snow slope #F2F2EC in mid-foreground, a candy-pink #E8A0B0 grand hotel building sitting alone halfway up the mountain, and jagged grey-blue peaks far on the horizon. Flat frontal symmetry, f/8, everything sharp. Bright, clean, doll-like tidiness.
Nano Banana 230
Read the full prompt — Conductor's Hands In SunTwo hands mid-gesture, cropped at the elbows — no head, no face, no shoulders in frame. Ink blue #1B2E4A rolled shirt cuffs, fingers spread and rising, wrists caught in light motion blur; a thin wooden baton in the right hand. Hands fill the upper two-thirds of a horizontal frame. Background: bone #EDE4D4 plaster wall of a rehearsal room, bare music stands far behind thrown out of focus, holding blank sheets with no text; one coral #E8654A folded jacket on a chair at the right edge. Hard sunlight from a tall window at left rakes across the forearms and carves a clean bright edge along the sleeve; crisp dark shadows on the wall, high contrast, nothing softened. Camera: medium shot, f/5.6, slight low angle, slow-shutter drag on the hands only.
Nano Banana Pro80
Read the full prompt — Bread Slice Duck MaskWhimsical surreal animal portrait in bright daylight. A white duck is centered in the frame, facing the camera. Around the duck’s head there is a square slice of white sandwich bread like a mask or frame—bread crust golden-brown, soft white crumb inside. The duck’s face is visible through a rounded hole torn/cut in the middle of the bread slice; the duck’s orange beak and small dark eyes are clearly visible. The duck’s white feathers fill the lower part of the frame. Background is an outdoor yard/park setting but heavily blurred: soft bokeh of trees and a fence, neutral earthy tones. The image has a playful, clean, meme-like vibe but photographed like a crisp portrait. Lighting: direct natural sunlight, bright and clean; soft shadow from the bread on the duck’s face; crisp detail on bread texture and feathers. Composition & optics: vertical frame, centered subject, medium close-up; shallow depth of field with strong background blur; sharp focus on duck and bread. Color grading Overall tone: natural daylight, slightly warm and cheerful. Contrast: medium contrast; keep whites bright but retain feather detail (avoid clipping). Saturation: moderate; emphasize the orange beak and the warm bread crust; background stays muted and soft. Highlights: bright but controlled; gentle roll-off in whites; minimal bloom. Shadows: soft and neutral; avoid heavy color casts (keep it clean). Clarity/texture: crisp texture on bread crumb and feathers; no heavy sharpening halos. Finishing: minimal grain, minimal vignette (or none) for a clean humorous portrait look. Palette keywords: clean daylight, warm bread tones, bright whites, orange accent beak, soft bokeh background, crisp texture.
Nano Banana 250
Read the full prompt — Bathtub Surfers Tiny WaveSurreal photorealistic miniature scene inside a pink bathtub. The camera looks down at an angle along the length of the tub. A chrome retro faucet with two knobs is visible at the top-left, reflecting light. The tub is filled with moving water that looks like a small ocean: foamy waves, translucent crests, splashes and ripples. The water has a slightly gray-blue tint, contrasting with the pink enamel. Tiny miniature surfers (human figures) ride the waves on small yellow surfboards. Some are standing on the board, one is crouching/paddling, another sits low near the crest. A few additional tiny figures float in the water in the distance. The scale is intentionally absurd: realistic bathtub fixtures + tiny surfers create a “giant world / miniature people” illusion. Lighting: warm directional sunlight like late afternoon coming from one side, creating bright specular highlights on the water and soft shadows on the pink tub surface. Composition & optics: strong shallow depth of field / tilt-shift miniature look — foreground wave and one surfer sharp, background quickly falls into blur; macro photographic realism; crisp water texture and sparkling highlights. Color grading Overall tone: warm, cozy “sunlit bathroom” look with a slight nostalgic film feel. White balance: slightly warm (peachy highlights), but keep water in cool gray-blue to separate it from the pink tub. Contrast: medium contrast; protect highlights on water sparkles (no harsh clipping), keep wave detail in midtones. Saturation: moderate; emphasize pink enamel and yellow surfboards as playful accents; keep water saturation controlled. Highlights: strong specular highlights with soft bloom/halation on the brightest glints. Shadows: soft, slightly warm shadows (pink bounce light), avoid crushing blacks. Finishing: subtle film grain; slight lowered clarity in far background for miniature/dreamy vibe; gentle vignette optional. Palette keywords: warm sunlit pink, cool steel-blue water, golden highlights, miniature tilt-shift, dreamy realism.

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